Disney Animation History
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Site created by Tim Montgomery on June 22, 1996 at 5:55 a.m.

Mulan 3

Animated Film to Theaters


Future Direct-To-Video
Future Featurettes
U.S. Release Dates
World Release Dates

 

    Info

    Genre: Direct-To-Video
    Company: Walt Disney Pictures
    Project Phase: Unknown
    Release Date: Unknown

    Plot

    Unknown

    Notes

    First heard through a thru www.videopremiereawards.com with a interview with Raymond Singer and Eugenia Bostwick-Singer. The whole article can be read Here

      Raymond Singer and Eugenia Bostwick-Singer has been brought in to work on Mulan III, for which they have suggested a character that would bear the name they chose to give their daughter, Ana Ming.

      VP: You wrote the first Mulan and did work on the third one. Why weren't you

      involved with Mulan II?

      RS: We were unavailable for the second one because we were working on live

      action projects.

      VP: How do you know where to take the characters and work on a story for

      Mulan III when Mulan II isn't even done yet?

      RS: We had a rough idea; a two- to three-line description of the second one.

      We finally got to see some reels from the second one.

      RS: What they have at Disney now, which works really well, though not to

      the advantage of freelance writers, is they have really talented writers
      who are very, very savvy with the process and have the ear of everybody
      because they are in the office every day on staff.

      It works very well for Disney and very well for those writers who are probably
      on contracts for a certain number of weeks. It leaves freelancers to be
      either a superstar or a clean-up man or something like that.

      We submitted two Mulan III stories to them. It has to go through development
      executives, then a VP, then the president. When you get a story you like
      and you pitch it to the VP, they suggest changes.

      They are very smart; they know the Disney way and they know what they want
      out of each story. They are very quick and very specific. You go home
      and you work on that pitch some more. You have a series of pitches.

      Finally, you get to a point where those pitches are signed off by the
      executive. When the executive is pleased, it goes to the VPs, who take
      their turn at it, giving you notes and changes.

      The idea is to get it all ready to go to [Disney Animation president]
      Thomas Schumacher. And then he gives his notes.

      I'm writing a [live action] thriller feature. I'm having fun not having a
      deadline and needing to serve other people's ideas of something, of
      trying to fit my idea into someone else's idea of what my idea should be.
      At some level, you have to surrender to that process.

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